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On the symphony's instrumentation, musicologist Francis Maes writes that here, Tchaikovsky's "feeling for the magic of sound is revealed for the first time" and likens the music's "sensual opulence" to the more varied and finely shaded timbres of the orchestral suites. It revels in the moment. Like Robert Schumann 's Rhenish Symphony , the Third Symphony has five movements instead of the customary four in a suite -like formal layout, with a central slow movement flanked on either side by a scherzo.

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The average performance of this symphony runs about 45 minutes. In his biography and analysis of Tchaikovsky's music, Roland John Wiley likens the five-movement format to a divertimento and questions whether Tchaikovsky wanted to allude in this work to the 18th century.

In explaining his analogy, Wiley points out how the composer holds back the full orchestra occasionally in a manner much like that of a concerto grosso , "the winds as concertino to the ripieno of the strings" in the first movement, the waltz theme and trio of the second movement and the trio of the fourth movement in other words, the smaller group of winds balanced against the larger group of strings.

By adding a fugue and a reprise of the movement's second theme in the form of a recapitulation to the opening polonaise, Wiley says Tchaikovsky concludes the work on a note "more pretentious than a divertimento, less grand than a symphony, [and] leaves the work's genre identity suspended in the breach.

For other musicologists, the Schumannesque formal layout has been either a blessing or a curse. John Warrack admits the second movement, Alla tedesca , "balances" the work but he nonetheless senses "the conventional four-movement pattern being interrupted" unnecessarily, not amended in an organic manner. Rather than a "regression" in symphonic form, Keller sees the five-movement form, along "with the introduction of dance rhythms into the material of every movement except the first," as widening "the field of symphonic contrasts both within and between movements.

Tchaikovsky recorded little about the composition of his Third Symphony. Et pour mon prochain projet, je veux faire quelque chose de… total! Il faut faire avec tout un tas de contraintes comme le traitement des produits, faire en sorte de ne pas les perdre. La chef de ce restaurant, Raquel Carena, a une intelligence du traitement, on sent que tout est compris et entendu. Dans nos locaux par contre…. Est-ce que vous diriez que votre cuisine est autobiographique? Et vous, quelle est la place de la cuisine dans votre quotidien? Des boulettes. Camille Henrot, Is it possible to be a revolutionary and like flowers?

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